The Development of Popular Music from the 1960's to Present Day.

During the 1960s, various events in the United States of America, from the assassinations of J. F. Kennedy and M subterfugein Luther King to the Vietnam war and Cuban missile crisis, created civil unrest resulting in protests, landmark and riots, which was reflected in the music of the period. Views on other events around the terra firma such(prenominal) as the riots in Paris, the Cold war and the Russian exceed of Czechoslovakia where expressed through the language of music. Bob Dylan began as a protest singer, setting his lyrics (sometimes expressing anti-war views as in Masters of warfare) to traditional folk tunes, country numbers, or blues. Dylan later went onto inspire with a list band, bringing the folk style to cross off from his earlier days as a protest singer, and beca abide for of this to the highest degree of his work is musical poetry rather than the warning male child meets missy, boy loves girl, boy loses girl, boy gets girl back formula of 60s uni versal music. Another loving element of the 60s moved(p) music: medicate culture. Drugs were becoming more and more popular in the popular music scene of the time, in peculiar(prenominal) rock, giving birth to Psychedelic rock. One drug in particular that influenced rock musicians at the time was LSD, a reigning drug that creates hallucinations, distorting sense of time, hearing, vision, touch, smell, taste and reasoning. This is clearly reflected in the 1966 phonograph album Revolver by the Beatles. The aim of psychedelic, or acid rock was to take on the effects of drugs through music, often including strange lyrics and use of insurgent instrumentation, reflected in the use of an Indian Sitar on the break consume track of Revolver.

The quest to re-create the effects of drugs on the appease body through music led to great advances in recording technology, creating various effects such as fuzz, wah-wah, you cant assert a history paper without sources or citations, but allow about that for a second. perhaps to delve deeper into the subject soar could look at the progression described in fiction to the corperate music industry, and their actions to promote, sustain, block, or destroy various musical movements and expressions. how do these distribution issues apply to the advancement of music as an art? if its not common experience or general familiarity that can be found in an encyclopedia you select to site the sources... no offense.... but i doubt that you nuclear number 18 a popular music historian... If you motive to get a full essay, order it on our web site: OrderEssay.net

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